Nothing ground-breaking here, but there’s nothing amiss in a straightforward adventure yarn told in the traditional way. Stream in HD WATCH TRAILER Son of the Mask Description The fantasy comedy stars Jamie Kennedy, Traylor Howard, Bob Hoskins, and Alan Cumming. As expected, Diego/Zorro means to linger in Los Angeles just long enough to depose the scoundrels, entice a pretty slice of illicit fruit, and bring integrity to his family’s native soil.
The nuts and bolts are all here: Don Diego is invited to come home from Madrid to his family in Los Angeles, but upon his reappearance he learns that his father’s standing as “alcalde” has been seized by the shameless Don Luis Quintero, a nasty piece of work who’s nothing more than a minion to the man enjoying the real supremacy: Captain Esteban Pasquale. But tolerant filmgoers will stay open for a movie that’s considerably chock-a-block with romance, action, duplicity, and courageous bravado, all in an overstated manner that could’ve only been taken seriously in 1940, and perhaps not one year later. One grows accustomed to the movie’s qualitative foothold in that time of matinée idols and sword-fighting silver-screen hero worship, and we can concede for that reason. The first big-budget talkie starring the swashbuckling samaritan, Rouben Mamoulian’s old-fashioned jaunt was a blockbuster in 1940, and it remains recalled quite warmheartedly by the Silent Generation’s moviegoers, and equally the small screen’s fascinated beginners among the Baby Boom, as one of the period’s very best adventure pictures. The likelihood that Vega could be the remarkably expert swashbuckler never once dawns on the baddies, largely because Vega is such a stern little prude. When Zorro’s not prancing around in his little cape eye-mask, he’s playing the part of the utterly timid, and more than a touch effeminate, Don Diego Vega. But there was an unabashed syrupy-ness about the melodramatic urgency given to these movies.
The Mask of Zorro opens with a title card saying, “Madrid – when the Spanish Empire encompassed the globe, and young blades were taught the fine and fashionable art of killing ” So what’s that, like 18…30? 1840? I guess we’ll figure it out. You know, the ones where you can always hear Alfred Newman’s bombastic score. This is what I can’t help but like about the old high seas adventures and swashbuckling romances of the 1930s and ’40s. Pleasant Scorpions and Agreeable Rattlesnakes